If that sounds hyperbolic, it’s only because that’s exactly the kind of sincere enthusiasm the show engenders. That is clear enough: Anyone who loves it. Gory and unrelenting, it also perfectly captures the dark, princely gravitas that has always been infused into Castlevania, and characters such as Dracula and his son Alucard. Sarah Gadon (right) plays Grace in Alias Grace. —Allison Keene, Created by: Jim Mickle, Nick Damici Stars: James Purefoy, Michael K. Williams Original Network: SundanceTV, There are so many things that Hap and Leonard does that are wonderfully unique in this TV landscape. But Norman is always just a second away from behaving horrifically. For many, Brotherhood is the essential anime experience, and it’s easy to see why. —Eric Walters and Amy Amatangelo, Created by: Gene Roddenberry Stars: Patrick Stewart, Brent Spiner, Jonathan Frakes, LeVar Burton, Gates McFadden, Michael Dorn, Marina Sirtis, Wil Wheaton Original Network: CBS, The original series was pioneering. But Mindhunter is as much Mad Men as it is Law & Order. One of the first ever Netflix originals broke ground in more ways than one. The fact that they fit so successfully into one makes OITNB a defining triumph for Netflix. Jessica Jones furthers the trend with a psychological thriller that is, somehow, more brutal and dark than its Hell’s Kitchen contemporary. Instead, the more traditional teen conflicts of school life and being boy crazy take center stage, along with lots of incredibly specific language and jokes about both that region and that time (you will definitely want to watch with subtitles on). Nevertheless, this valid criticism misses the important point that we are watching a work of fiction based on historical figures—not a realdocumentary. Game of Thrones' Richard Madden plays the titular bodyguard, who suffers from PTSD after serving in the Afghanistan war. But there is certainly plenty to make us feel queasy about the stakes. This is not a stuffy historical drama, but a modern-feeling escapade with a minimal glance towards accuracy. And that’s a reality competition worth watching. Become its most popular “influencer” to win a $100,000 prize. And, like a victim of Kilgrave, it’s impossible not to abide. The bottom line is that it’s just good. The difference between hero and villain is just a matter of ends-justify-the-means degrees. The show’s attempts at feminism veer from the brutally satisfying to the lip-service-only frustrating, but weaving that driving principle throughout the show’s coming-of-age plots and the underground magical societies within which they take place only binds the show closer into a more cohesive, if imperfect, entity. Though its primary target is white privilege, in forms both egregious (blackface parties) and mundane (calls to end “divisive” politics), Dear White People, set on the campus of a fictional Ivy League university, is even funnier when it turns to the details of the black students’ personal and ideological choices, transforming the notion of the “problematic fave,” from the McRib to The Cosby Show into the engine of its entertaining, incisive comedy. Created by writer Chris Chibnall (another Doctor Who vet) is a master of atmosphere (a haunting, piano-driven score, the glistening seaside vistas) by taking his time with the details, he keeps the whodunit at a slow boil that rewards patient viewers. And I have to admit I was jealous. —Iris A. Barreto, Created by: Gloria Calderon Kellett, Mike Royce Stars: Justina Machado, Rita Moreno, Stephen Tobolowsky, Todd Grinnell, Isabella Gomez, Marcel Ruiz Original Network: Netflix, With an assist from legendary producer Norman Lear, Mike Royce and Gloria Calderon Kellett’s warm-hearted, full-throated update of One Day at a Time, which follows a Cuban American family in Los Angeles, only grew more confident in its second and third seasons. If you're looking for a female-led show with a dark sense of humor and a mystery, Dead To Me delivers all that in spades. Prepare yourself for a mesmerizing performance from Cillian Murphy in this family saga that has a fantastic amount of fun and flair showing Shelby's dealings with other gangs, the police and the occasional lover. Last Tango in Halifax is an easy and comforting binge-watch. Even in its weaker moments, the show always offered something memorable, whether it be an impressive visual, or an intense dialogue exchange. (You see the problems already). The Society gives its modern, engaged audience a co-ed spread of hormonal high schoolers, left behind by a fleet of school buses that (returning from an aborted end-of-year camping trip) drop them off in the middle of the night in an empty, uncanny double of their idyllic New England hometown. A lot of them come from creators who've been given big Netflix budgets and the freedom to experiment and come up with something weird and wonderful. It started as the worst-rated series (74 out of 74) but climbed its way to the top 10 during the third season. The monsters, ghosts, and things that go bump on the wall are off-screen, barely shown, or obscured by shadow. By admitting, as Andrew does in the series premiere, that “everything is so embarrassing”—and not only for teens—Big Mouth squares a space in which there’s no question that can’t be asked, and no answer that applies the same way to everyone. has grown to be even more consistently brilliant than in its fine first season, in part because the creative team—including stars Bill Hader and Fred Armisen, writers Seth Meyers and John Mulaney and directors Rhys Thomas and Alex Buono—regularly found legitimate pathos beneath the comedy. With the rise of Stalin impacting Europe, and the Treaty of Versailles not sitting well with dangerous nationalist groups, Berlin is a hotbed of covert activities. Legends of Tomorrow, though, is a drama that truly understands the meaning of joy. But when watching mother and son together, there’s hope that the story will diverge from the way we know it must go, and there’s the constant fear that what we know must happen can occur at any point. (And don’t forget to watch the show’s probably unnecessary but nevertheless wonderful follow-up film El Camino). Here are some of the best Netflix has to offer. Its goal is to cut through the humiliations of sex, to break through the shame shellacked atop our “gross little dirtbag” selves to reveal the perfectly normal yearning underneath: for pleasure, for touch, for emotional connection; for approval, confidence, intimacy, love. Each season, USA’s The Sinner opens with a crime whose perpetrator is immediately revealed. It depicts the real-life events of the 1989 Central Park jogger case, involving five male suspects of color who were falsely accused of rape and assault. Her wild imagination, always positive spirit, and desire to make life better for everyone around her in the wake of her own heartache makes the series a worthy and upbeat watch. © 2020 Paste Media Group. —Rae Nudson, Created by: Steven Moffat, Mark Gatiss Stars: Benedict Cumberbatch, Martin Freeman, Mark Gatiss, Rupert Graves Original Network: BBC, The guiding hand behind such English hits as Press Gang and Coupling, Steven Moffat has gained the most attention for resuscitating Dr. Who into the Anglo-Saxon ambassador of science fiction. It’s about the beautiful land of Thra, and an event many years past that caused an imbalance and blight within the crystal that stands at the center of their world. “Joyful” is an underused and underrated term when it comes to TV dramas. So why not settle in and watch some pale but fit English lads run around the pitch in what is essentially Chariots of Fire: The Series? Something deep? And at a time when there’s so much good TV that it can easily feel like work just to think about catching up on a sliver of it, fun is all it needs to be.—Alexis Gunderson, Created by: Roberto Aguirre-Sacasa?Stars: Kiernan Shipka, Ross Lynch, Lucy Davis, Chance Perdomo, Michelle Gomez Network: Netflix, The Archie-adjacent teenage witch has had a bumpy two seasons (two-part first season?) Its plucky set of kid and teen characters battle monsters (real or within themselves) and go to the mall. Toni Collette and Merritt Wever team up as whip-smart detectives who see what others fail to, adding another layer to Unbelievable's delicate, powerfully moving triumph. I Was Not Emotionally Prepared for ‘The West Wing’ Special on HBO Max, The Best Sequel of Every Horror Franchise, from ‘Scream’ to ‘Halloween’, ‘Haunting of Bly Manor’: How Victoria Pedretti Made a Swift Leap From College to Netflix, The 15 Best Episodes of ‘The West Wing’, Ranked, Disney+ Adds Even Stronger Warning of Cultural Stereotypes to Certain Titles. It has absolutely no interest in immersing its audience in trauma and violation. —Jacob Oller, Created by: Greg Daniels, Michael Schur Stars: Amy Poehler, Nick Offerman, Aziz Ansari, Adam Scott, Rob Lowe, Chris Pratt, Aubrey Plaza, Rashida Jones Original Network: NBC, Parks and Recreation started its run as a fairly typical mirror of The Office, but by its third season, the student became the master. Against Fox’s Gordon Ramsay-hosted properties, Chopped, even Top Chef, with their constant backbiting and broken dreams, the contestants on GBBS are sunny, mutually supportive amateurs (albeit extraordinarily skilled ones); in any given episode, the worst crisis is judge Paul Hollywood pressing a finger into a scone and pronouncing it “underbaked” (or literally pronouncing it “overwerked and oonderbaked”). Wonderfully meticulous in period detail, the ensemble drama brims with joy and compassion while maintaining a bracingly unromantic grip on pregnancy and parenthood. It would be a shame if the third season didn't happen. —Allison Keene, Created by: Noelle Stevenson Stars: Aimee Carrero, Karen Fukuhara, AJ Michalka, Marcus Scribner, Reshma Shetty, Lorraine Toussaint Original Network: Netflix. In fact, with its combination of the topical and the timeless, the silly and the sincere, the Netflix’s multi-cam sitcom has become the leading engine of the form’s revival. Thanks to a new Fab Five composed of Tan, Jonathan, Antoni, Karamo, and Bobby, Netflix’s Queer Eye reboot (note the dropped For the Straight Guy) is forging a new path towards togetherness with unapologetic empathy inside its confidence-building makeovers. Binging Sex Education is a no-brainer: The self-aware, John Hughes-possessed mishmash of American and British high school culture is a joyful breeze to watch. And so, indeed—as the series takes great pains to argue—must the crown. Touted as the next Breaking Bad, Ozark only gets better and better as you watch the Byrde family's life spiral out of control. The two men at the heart of the show are best friends and total opposites—one is a straight white hippy, the other is black, gay, conservative—and they support each other, joke and fight like brothers. —Ross Bonaime and Allison Keene, Created by: Love Productions Stars:Mary Berry, Paul Hollywood, Prue Leith, Mel Giedroyc, Sue Perkins, Sandi Toksvig, Noel Fielding Original Network: BBC, Known across the pond as The Great British Bake-Off, the appeal of the wildly popular reality TV series—most seasons of which are now available on Netflix—is its refusal to go in for dramatic contrivances. But there is something so chillingly familiar in it, especially at this moment in history, that it’s impossible not to be impressed—and just as impossible not to hope that the tools Adora, Glimmer, Bow and the rest of their friends fight back with as the series continues will be ones we can use in our own lives, back here in the real world. Even if you're not into sports or documentaries, The Last Dance plays out like the most pulsating drama, detailing the Chicago Bulls rise to greatness, with rare footage of their magnetic and intense leader Michael Jordan. Renew Rebecca Henderson and Greta Lee as hot mess hipster art friends ready to make parties across the Netflix spectrum that much spikier and sparklier. Move his family to the Lake of the Ozarks, where he'll set up a bigger laundering operation. Over the first few episodes, prison is treated like an almost-quirky novelty she’ll have to experience for 15 months, and the wisest choice director Jenji Kohan made (and there are many) was to heighten the stakes so that what begins as an off-kilter adventure soon takes on the serious proportions prison life demands. Full disclosure: Netflix sadly canceled Travelers after its third season, but this tightly-plotted sci-fi out of Canada does manage to end with an ambitious bang. Merritt Weaver and Michelle Dockery in Godless. Call it feminist, call it what you will, Call the Midwife is brave television. Douglas plays Sandy Kominsky, an ex-actor in Hollywood who's now an acting coach, going through all that comes with growing older. —Garrett Martin, Created by: Heidi Thomas Stars: Vanessa Redgrave, Bryony Hannah, Helen George, Jenny Agutter, Pam Ferris, Laura Main, Judy Parfiti Original Network: BBC, “Midwifery is the very stuff of life,” proves this incredibly moving, often provocative series, based on the memoirs of British nurse Jennifer Worth. (Plus, it brought Betty Gilpin to our national attention, for which we shall be eternally grateful). Weirdly, the show’s political climate was more stable than reality itself. America knew what it was immediately, even if we didn’t know exactly where it was going. It’s creatively-superior, but self-effacing. —Amy Amatangelo, Created by: Salim Akil Stars: Cress Williams, China Anne McClain, Nafessa Williams, Christine Adams, Marvin “Krondon” Jones III, Damon Gupton, James Remar Original Network: The CW, Greg Berlanti’s Arrowverse (just recently valorized by a $400 million cash contract made to keep the universe-runner around until 2024) has been an undeniable success for The CW—and for the DC universe on screen. With the help of Angelo Badalamenti’s haunting score and the atmosphere created by the set designers, you spent the entirety of the two seasons waiting for something terrible to happen to everyone on screen. —Mark Rozeman, Created by: Jennie Snyder Urman Stars: Gina Rodriguez, Justin Baldoni, Yeal Grobglas, Jaime Camil, Andrea Navedo, Ivonne Coll, Anthony Mendez Original Network: The CW, A virgin perfectionist with a heart of gold shouldn’t be this watchable. Lorelai and Luke (Scott Patterson) are one of TV’s greatest love stories. Original Network: ABC, Now that Shonda Rhimes and her Shondaland are such a force in the TV world, it’s hard to imagine there was a time before her landmark dramas were a staple in our viewing schedules. Below we’ve ranked 100 of the best TV shows on Netflix, but it’s just a start. If you like your dark British humor, look no further than The End of The F***ing World. A comedy starring Michael Douglas and Alan Arkin? And unlike American Horror Story, which is all flash and gore, American Crime is rooted in harsh realities. —Allison Keene, Created by: Rachel Bloom, Aline Brosh McKenna Stars: Rachel Bloom, Vincent Rodriguez III, Santino Fontana, Donna Lynne Champlin, Pete Gardner, Vella Lovell, Gabrielle Ruiz Original Network: The CW, Don’t let the name keep you from tuning into this one—creator / star Rachel Bloom (who was nominated for a Golden Globe for her work on the show) addresses it before the theme song’s even over, responding to choruses of “she’s the crazy ex-girlfriend” with lines like “that’s a sexist term” and “the situation’s more nuanced than that.” And it is: Crazy Ex-Girlfriend is a clever musical-comedy (think Flight of the Conchords, if they leaned more heavily on musical theater) about Rebecca Bunch, a lawyer who turns down a partnership at her New York firm to follow her ex-boyfriend Josh to West Covina, California and try to win him back. This might sound like typical cringe comedy turf, but Robinson keeps it fresh by extending ideas behind all bounds of logic, resulting in characters or situations so utterly absurd that you won’t even think of comparing them to such cringe comedy forefathers as Larry David or Ricky Gervais. The new chapter of Netflix’s opulent celebration of the monarchy opens in 1964 and concludes with her Silver Jubilee in 1977. The short run and miniseries format (one that is a true miniseries, with a very clear end) make The English Game an easy investment, and one that everyone can enjoy while under quarantine orders or beyond. But as they soar across the open road and commit a couple of violent crimes, their callous hearts soften and they develop feelings for one another. A fascinating look into the basketball world, The Last Dance is as entertaining and thrilling as a match on the court. The mastermind doing Ocean's Eleven-level prep work with equally satisfying reveals is The Professor. —Josh Jackson, Created by: Carlton Cuse, Kerry Ehrin, Anthony Cipriano Stars: Vera Farmiga, Freddie Highmore, Max Thieriot, Olivia Cooke, Nicola Peltz, Nestor Carbonell, Kenny Johnson Original Network: A&E, When telling the origins of a horror icon, a fine line must be walked. Fractured after growing up in a haunted house, the Crains can't ignore their past and must do what you never want to do: Go back down those dark corridors. On top of that, he's assigned to protect the Home Secretary (Keeley Hawes), whose politics he despises. But there are several key decisions Ava DuVernay makes that turns When They See Us into one of the year’s, if not the decade’s best, programs. Enter Paste — our TV writers are ready to assist in helping you find what you need. Naive but relentlessly enthusiastic, she does her best to adjust to life in New York, taking on odd jobs, finding love and making friends with equally odd people. Like a fine wine. Possibly triple. It’s us,” as Donna says in the series’ sublime finale. But there’s more; the construct feels cinematic and compared to your average show, and I couldn’t help but feel that the all-at-once release plane freed the creators to make something less episodic and more free-flowing—which has since become Netflix’s signature. Halt and Catch Fire was always, as Joe (Lee Pace) proclaims in the pilot episode, about “the thing that gets us to the thing,” but it’s the series’ final season, set amid the scramble to build the Internet’s dominant search engine, that draws the point most elegantly. You cannot look away from When They See Us or shelter yourself from the blinding truth. You can now choose your TV show based on Genre, IMDB Rating, Language or even Subgenre. Produced by David Fincher and Charlize Theron, the story follows two real-life agents, Holden Ford (Jonathan Groff, the original King George III in Hamilton on Broadway) and Bill Tench (Holt McCallany), along with consulting psychologist Dr. Wendy Carr (Anna Torv) in the FBI’s nascent Behavioral Science Unit. Niecy Nash as Korey’s mom Delores. Iris Apatow is a standout as the unhappy child actress Gus tutors who gets away with just about anything. Disease, labor complications and tragedies like miscarriage, stillbirth and Sudden Infant Death Syndrome are common—along with domestic violence, rape and unwanted pregnancy—yet the show warms as many hearts as it breaks. If somehow you've missed the Duffer Brothers' ode to '80s horror and Steven Spielberg, things are about to get tubular. Figures like Winston Churchill, Princess Margaret, Margaret Thatcher and more are treated with the highest cinematic sophistication.
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